Abacab (DH)
Seconds Out ( Live )


SQUONK 
THE CARPET CRAWL 
ROBBERY, ASSAULT & BATTERY 
AFTERGLOW 
FIRTH OF FIFTH
I KNOW WHAT I LIKE 
THE LAMB LIES DOWN ON BROADWAY 
THE MUSICAL BOX (closing section)
SUPPER'S READY 
CINEMA SHOW 
DANCE ON A VOLCANO
LOS ENDOS

SQUONK 


Like father like son 
Not flesh nor fish nor bone 
A red rag hangs from an open mouth. 
Alive at both ends but a little dead in the middle, 
A-tumbling and a-bumbling he will go. 
All the King's horses and all the King's men 
Could never put a smile on that face. 

He's a sly one, he's a shy one 
Wouldn't you be too. 
Scared to be left all on his own. 
Hasn't a, hasn't a friend to play with the Ugly Duckling 
The pressure on, the bubble will burst before our eyes. 
All the while in perfect time 
His tears are falling on the ground 
BUT IF YOU DON'T STAND UP YOU DON'T STAND A CHANCE. 

Go a little faster now, you might get there in time. 

Mirror mirror on the wall, 
His heart was broken long before he ever came to you. 
Stop your tears from falling, 
The trail they leave is very clear for all to see at night 
all to see at night 

In season, out of season 
What's the difference when you don't know the reason. 
In one hand bread, the other a stone, 
The Hunter enters the forest. 
All are not huntsmen who can blow the huntsman's horn 
By the look of this one you've not got much to fear. 

Here I am, I'm very fierce and frightening 
Come to match my skill to yours. 
Now listen here, listen to me, don't you run away now 
I am a friend, I'd really like to play with you. 
Making noises my little furry friend would make 
I'll trick him, then I'll kick him into my sack. 
You better watch out ... You better watch out. 

I've got you, I've got you, you'll never get away. 

Walking home that night 
The sack across my back, the sound of sobbing on my shoulder. 
When suddenly it stopped, 
I opened up the sack, all that I had 
A pool of bubbles and tears - JUST A POOL OF TEARS. 

All in all you are a very dying race 
Placing trust upon a cruel world. 
You never had the things you thought you should have had 
And you'll not get them now, 
And all the while in perfect time 
Your tears are falling on the ground. 


The Squonk is of a very retiring disposition and due to its ugliness, weeps 
constantly. It is easy prey for hunters who simply follow a tear-stained 
trail. When cornered it will dissolve itself into tears. 
True or False? 
THE CARPET CRAWLERS 


There is lambswool under my naked feet. 
The wool is soft and warm, 
-gives off some kind of heat. 
A salamander scurries into flame to be destroyed. 
Imaginary creatures are trapped in birth on celluloid. 
The fleas cling to the golden fleece, 
Hoping they'll find peace. 
Each thought and gesture are caught in celluloid. 
There's no hiding in my memory. 
There's no room to void. 

The crawlers cover the floor in the red ochre corridor. 
For my second sight of people, they've more lifeblood than before. 
They're moving. They're moving in time to a heavy wooden door, 
Where the needle's eye is winking, closing in on the poor. 
The carpet crawlers heed their callers: 
"We've got to get in to get out 
We've got to get in to get out." 

There's only one direction in the faces that I see; 
It's upward to the ceiling, where the chambers said to be. 
Like the forest fight for sunlight, that takes root in every tree. 
They are pulled up by the magnet, believing that they're free. 
The carpet crawlers heed their callers: 
"We've got to get in to get out 
We've got to get in to get out." 

Mild mannered supermen are held in kryptonite, 
And the wise and foolish virgins giggle with their bodies glowing bright. 
Through a door a harvest feast is lit by candlight; 
It's the bottom of a staircase that spirals out of sight. 
The carpet crawlers heed their callers: 
"We've got to get in to get out 
We've got to get in to get out." 

The porcelain mannikin with shattered skin fears attack. 
The eager pack lift up their pitchers- the carry all they lack. 
The liquid has congealed, which has seeped out through the crack, 
And the tickler takes his stickleback. 
The carpet crawlers heed their callers: 
"We've got to get in to get out 
We've got to get in to get out." 
 
ROBBERY, ASSAULT, AND BATTERY 


The streets were deserted though the police were alerted, 
They considered the phone call a hoax. 
Furtively glancing then jauntily prancing 
The youth caught the guards unaware. 

Slipping between them he ought to have seen then 
The eyes and their owner so near. 
With torch shining bright he strode on in the night 
Till he came to the room with the safe. 

"Hello son, I hope you're having fun." 
"You've got it wrong Sir, I'm only the cleaner." 
With that he fired, the other saying as he died, 
"You've done me wrong," it's the same old song forever. 

Robbery, assault and battery, 
The felon and his felony. 

He picked up the diamonds and bundles of fivers 
He pushed them well down in his sack. 
But the alarm had been sounded, he was completely surrounded 
But he had some more tricks up his sleeve. 

"Come outside with your hands held high." 
"You'll not get me alive Sir, I promise you that Sir. 

With that he fired, the other saying as he died 
"You've done me wrong," it's the same old song forever. 

Robbery, assault and battery, 
The felon and his felony. 

"He's leaving via the roof, the bastard's got away. 
God always fights on the side of the bad man." 

"I've got clean away but I'll be back some day, 
Just the combination will have changed. 
Some day they'll catch me, to a chain they'll attach me, 
But until that day I'll ride the old crime wave. 

If they try to hold me for trial 
I'll stay out of aol by paying my bail 
And after I'll go to the court of appeal saying 
"You've done me wrong," it's the same old song forever." 

Done me wrong - same old song - done me wrong. 
 
AFTERGLOW 


Like the dust that settles all around me, 
I must find a new home. 
The ways and holes that used to give me shelter, 
Are all as one to me now. 
But I, I would search everywhere 
Just to hear your call, 
And walk upon stranger roads than this one 
In a world I used to know before. 
I miss you more. 

Than the sun reflecting off my pillow, 
Bringing the warmth of new life. 
And the sounds that echoes all around me, 
I caught a glimpse of in the night. 
But now, now I've lost everything, 
I give to you my soul. 
The meaning of all that I believed before 
Escapes me in this world of none, no thing, no one. 

And I would search everywhere 
Just to hear your call, 
And walk upon stranger roads than this one 
In a world I used to know before. 
For now I've lost everything, 
I give to you my soul. 
The meaning of all that I believed before 
Escapes me in this world of none, 
I miss you more. 
 
FIRTH OF FIFTH 


The path is clear 
Though no eyes can see 
The course laid down long before. 
And so with gods and men 
The sheep remain inside their pen, 
Though many times they've seen the way to leave. 

He rides majestic 
Past homes of men 
Who care not or gaze with joy, 
To see reflected there 
The trees, the sky, the lily fair, 
The scene of death is lying just below. 

The mountains cuts off the town from view, 
Like a cancer growth is removed by skill. 
Let it be revealed. 
A waterfall, his madrigal. 
An inland sea, his symphony. 

Undinal songs 
Urge the sailors on 
Till lured by sirens' cry. 

Now as the river dissolves in sea, 
So Neptune has claimed another soul. 
And so with gods and men 
The sheep remain inside their pen, 
Until the Shepherd leads his flock away. 

The sands of time were eroded by 
The river of constant change. 
 
I KNOW WHAT I LIKE (IN YOUR WARDROBE) 

It's one o'clock and time for lunch, 
When the sun beats down and I lie on the bench, 
I can always hear them talk. 

There's always been Ethel: 
"Jacob, wake up! You've got to tidy your room now." 
And then Mister Lewis: 
"Isn't it time that he was out on his own?" 
Over the garden wall, two little lovebirds - cuckoo to you! 
Keep them mowing blades sharp... 

I know what I like, and I like what I know; 
getting better in your wardrobe, stepping one beyond your show. 

Sunday night, Mr Farmer called, said: 
"Listen son, you're wasting your time; there's a future for you 
in the fire escape trade. Come up to town!" 
But I remebered a voice from the past; 
"Gambling only plays when you're winning" 
- I had to thank old Miss Mort for schooling a failure. 
Keep them mowing blades sharp... 

I know what I like, and I like what I know; 
getting better in your wardrobe, stepping one beyond your show. 

When the sun beats down and I lie on the bench, 
I can always hear them talk. 
Me, I'm just a lawnmower - you can tell me by the way I walk. 
THE LAMB LIES DOWN ON BROADWAY 


And the lamb lies down on Broadway. 

Early morning Manhattan, 
Ocean winds blow on the land. 
The Movie-Palace is now undone, 
The all-night watchmen have had their fun. 
Sleeping cheaply on the midnight show, 
It's the same old ending-time to go. 
Get out! 
It seems they cannot leave their dream. 
There's something moving in the sidewalk steam, 
And the lamb lies down on Broadway. 

Nightime's flyers feel their pains. 
Drugstore takes down the chains. 
Metal motion comes in bursts, 
But the gas station can quench that thirst. 
Suspension cracked on unmade road 
The trucker's eyes read 'Overload' 
And out on the subway, 
Rael Imperial Aerosol Kid 
Exits into daylight, spraygun hid, 
And the lamb lies down on Broadway. 

The lamb seems right out of place, 
Yet the Broadway street scene finds a focus in its face. 
Somehow it's lying there, 
Brings a stillness to the air. 
Though man-made light, at night is very bright, 
There's no whitewash victim, 
As the neons dim, to the coat of white. 
Rael Imperial Aerosol Kid, 
Wipes his gun-he's forgotten what he did, 
And the lamb lies down on Broadway. 

Suzanne tired her work all done, 
Thinks money-honey-be on-neon. 
Cabman's velvet glove sounds the horn 
And the sawdust king spits out his scorn. 
Wonder women draw your blind! 
Don't look at me! I'm not your kind. 
I'm Rael! 
Something inside me has just begun, 
Lord knows what I have done, 
And the lamb lies down on Broadway. 
On Broadway- 
They say the lights are always bright on Broadway. 
They say there's always magic in the air. 
 
THE MUSICAL BOX 

| While Henry Hamilton-Smythe minor (8) was playing croquet with 
| Cynthia Jane De Blaise-William (9), sweet-smiling Cynthia raised her 
| mallet high and gracefully removed Henry's head. Two weeks later, 
| in Henry's nursery, she discovered his treasured musical box. Eagerly 
| she opened it and as "Old King Cole" began to play, a small spirit- 
| figure appeared. Henry had returned - but not for long, for as he 
| stood in the room his body began ageing rapidly, leaving a child's 
| mind inside. A lifetime's desires surged through him. Unfortunately 
| the attempt to persuade Cynthia Jane to fulfill his romantic desire 
| led his nurse to the nursery to investigate the noise. Instinctively 
| Nanny hurled the musical box at the bearded child, destroying both. 


Play me Old King Cole 
That I may join with you, 
All your hearts now seem so far from me 
It hardly seems to matter now. 

And the nurse will tell you lies 
Of a kingdom beyond the skies. 
But I am lost within this half-world, 
It hardly seems to matter now. 

Play me my song. 
Here it comes again. 
Play me my song. 
Here it comes again. 

Just a little bit, 
Just a little bit more time, 
Time left to live out my life. 

Play me my song. 
Here it comes again. 
Play me my song. 
Here it comes again. 

Old King Cole was a merry old soul, 
And a merry old soul was he. 
So he called for his pipe, 
And he called for his bowl, 
And he called for his fiddlers three. 

But the clock, tick-tock, 
On the mantlepiece - 
And I want, and I feel, and I know, and I touch, 
Her warmth... 

She's a lady, she's got time, 
Brush back your hair, and let me get to know your face. 
She's a lady, she is mine. 
Brush back your hair, and let me get to know your flesh. 

I've been waiting here for so long 
And all this time has passed me by 
It doesn't seem to matter now 
You stand there with your fixed expression 
Casting doubt on all I have to say. 
Why don't you touch me, touch me, 
Why don't you touch me, touch me, 
Touch me now, now, now, now, now... 
 
SUPPER'S READY 

i. LOVERS' LEAP 

Walking across the sitting-room, I turn the television off. 
Sitting beside you, I look into your eyes. 
As the sound of motor cars fades in the night time, 
I swear I saw your face change, it didn't seem quite right. 
...And it's hello babe with your guardian eyes so blue 
Hey my baby don't you know our love is true. 

Coming closer with our eyes, a distance falls around our bodies. 
Out in the garden, the moon seems very bright, 
Six saintly shrouded men move across the lawn slowly. 
The seventh walks in front with a cross held high in hand. 
...And it's hey babe your supper's waiting for you. 
Hey my baby, don't you know our love is true. 

I've been so far from here, 
Far from your warm arms. 
It's good to feel you again, 
It's been a long long time. Hasn't it? 
ii. THE GUARANTEED ETERNAL SANCTUARY MAN 

I know a farmer who looks after the farm. 
With water clear, he cares for all his harvest. 
I know a fireman who looks after the fire. 

You, can't you see he's fooled you all. 
Yes, he's here again, can't you see he's fooled you all. 
Share his peace, 
Sign the lease. 
He's a supersonic scientist, 
He's the guaranteed eternal sanctuary man. 
Look, look into my mouth he cries, 
And all the children lost down many paths, 
I bet my life you'll walk inside 
Hand in hand, 
gland in gland 
With a spoonful of miracle, 
He's the guaranteed eternal sanctuary man. 
We will rock you, rock you little snake, 
We will keep you snug and warm. 
iii. IKHNATON AND ITSACON AND THEIR BAND OF MERRY MEN 

Wearing feelings on our faces while our faces took a rest, 
We walked across the fields to see the children of the West, 
But we saw a host of dark skinned warriors 
standing still below the ground, 
Waiting for battle. 

The fight's begun, they've been released. 
Killing foe for peace...bang, bang, bang. Bang, bang, bang... 
And they're giving me a wonderful potion, 
'Cos I cannot contain my emotion. 
And even though I'm feeling good, 
Something tells me I'd better activate my prayer capsule. 

Today's a day to celebrate, the foe have met their fate. 
The order for rejoicing and dancing has come from our warlord. 
iv. HOW DARE I BE SO BEAUTIFUL? 

Wandering through the chaos the battle has left, 
We climb up a mountain of human flesh, 
To a plateau of green grass, and green trees full of life. 
A young figure sits still by a pool, 
He's been stamped "Human Bacon" by some butchery tool. 
(He is you) 
Social Security took care of this lad. 
We watch in reverence, as Narcissus is turned to a flower. 
A flower? 
v. WILLOW FARM 

If you go down to Willow Farm, 
to look for butterflies, flutterbyes, gutterflies 
Open your eyes, it's full of surprise, everyone lies, 
like the focks on the rocks, 
and the musical box. 
Oh, there's Mum & Dad, and good and bad, 
and everyone's happy to be here. 

There's Winston Churchill dressed in drag, 
he used to be a British flag, plastic bag, what a drag. 
The frog was a prince, the prince was a brick, the brick was an egg, 
the egg was a bird. 
(Fly away you sweet little thing, they're hard on your tail) 
Hadn't you heard? 
(They're going to change you into a human being!) 
Yes, we're happy as fish and gorgeous as geese, 
and wonderfully clean in the morning. 

We've got everything, we're growing everything, 
We've got some in 
We've got some out 
We've got some wild things floating about 
Everyone, we're changing everyone, 
you name them all, 
We've had them here, 
And the real stars are still to appear. 

ALL CHANGE! 

Feel your body melt; 
Mum to mud to mad to dad 
Dad diddley office, Dad diddley office, 
You're all full of ball. 

Dad to dam to dum to mum 
Mum diddley washing, Mum diddley washing, 
You're all full of ball. 

Let me hear you lies, we're living this up to the eyes. 
Ooee-ooee-ooee-oowaa 
Momma I want you now. 

And as you listen to my voice 
To look for hidden doors, tidy floors, more applause. 
You've been here all the time, 
Like it or not, like what you got, 
You're under the soil (the soil, the soil), 
Yes, deep in the soil (the soil, the soil, the soil!). 
So we'll end with a whistle and end with a bang 
and all of us fit in our places. 

vi. APOCALYPSE IN 9/8 (CO-STARRING THE DELICIOUS TALENTS OF GABBLE RATCHET) 

With the guards of Magog, swarming around, 
The Pied Piper takes his children underground. 
Dragons coming out of the sea, 
Shimmering silver head of wisdom looking at me. 
He brings down the fire from the skies, 
You can tell he's doing well by the look in human eyes. 
Better not compromise. 
It won't be easy. 

666 is no longer alone, 
He's getting out the marrow in your back bone, 
And the seven trumpets blowing sweet rock and roll, 
Gonna blow right down inside your soul. 
Pythagoras with the looking glass reflects the full moon, 
In blood, he's writing the lyrics of a brand new tune. 

And it's hey babe, with your guardian eyes so blue, 
Hey my baby, don't you know our love is true, 
I've been so far from here, 
Far from your loving arms, 
Now I'm back again, and babe it's gonna work out fine. 

vii. AS SURE AS EGGS IS EGGS (ACHING MEN'S FEET) 

Can't you feel our souls ignite 
Shedding ever changing colours, in the darkness of the fading night, 
Like the river joins the ocean, as the germ in a seed grows 
We have finally been freed to get back home. 

There's an angel standing in the sun, and he's crying with a loud voice, 
"This is the supper of the mighty one", 
Lord of Lords, 
King of Kings, 
Has returned to lead his children home, 
To take them to the new Jerusalem. 
THE CINEMA SHOW 

Home from work our Juliet 
Clears her morning meal. 
She dabs her skin with pretty smells 
Concealing to appeal. 
I will make my bed, 
She said, but turned to go. 
Can she be late for her cinema show? 

Romeo locks his basement flat, 
And scurries up the stair. 
With head held high and floral tie, 
A weekend millionaire. 
I will make my bed 
With her tonight, he cries. 
Can he fail armed with his chocolate surprise? 

Take a little trip back with father Tiresias, 
Listen to the old one speak of all he has lived through. 
I have crossed between the poles, for me there's no mystery. 
Once a man, like the sea I raged, 
Once a woman, like the earth I gave. 
There es in fact more earth than sea. 
DANCE ON A VOLCANO 

Holy Mother of God 
You've got to go faster than that to get to the top. 
Dirtly old mountain 
All covered in smoke, she can turn you to stone 
So you better start doing it right 
Better start doing it right. 

You're halfway up and you're halfway down 
And the pack on your back is turning you around. 
Throw it away, you won't need it up there, and remember 
You don't look back whatever you do. 
Better start doing it right. 

On your left and on your right 
Crosses are green and crosses are blue 
Your friends didn't make it through. 
Out of the night and out of the dark 
Into the fire and into the fight 
Well that's the way the heroes go, Ho! Ho! Ho! 

Through a crack in Mother Earth, 
Blazing hot, the molten rock 
Spills out over the land. 
And the lava's the lover who licks your boots away, Hey! Hey! Hey! 
If you don't want to boil as well, 
B-B-Better start the dance 
D-D-Do you want to dance with me. 

The music's playing, the notes are right 
Put your left foot first and move into the ight. 
The edge of this hill is the edge of the world 
And if you're going to cross you better start doing it right 
better start doing it right. 

Let the dance begin. 
LOS ENDOS 
There's an angel standing in the sun.
There's an angel standing in the sun,
Free to get back home



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